Lights flicker like lightning bugs across the arena as the
crowd clamors for pictures. The soft
notes of a baby grand play in the semi-darkness of the stage, leaving me
breathless.
“No more
sorrow, no more pain. I will rise on
eagle’s wings…”
Suddenly,
I’m no longer in the middle of a crowd enjoying a concert, but in a silent
hospital room, watching my grandfather as he sleeps. His hands rest at his sides, finally still
after hours of fidgeting, and his dark grey hair stands in all directions. His pale face seems tense even in sleep, and
I wonder if he feels pain.
The doctors
said he wouldn’t last the night.
Sitting in
the chair at his beside, I stroke his hand, feel the slow, weak pulse at his
wrist. I don’t know it now, but when
he’s no longer near, that’s what I’ll miss.
Just holding his large, soft hand.
Music
gently enters from the room across the hall.
Soft piano notes, a sweet mellow voice.
I can’t hear the words, but the music itself eases the tension in my
neck. It gets louder, as if someone has
turned up the volume.
“I will
rise when He calls my name. No more
sorrow, no more pain. I will rise, on
eagle’s wings…”
I cry,
unable to block out the image. That’s
what he’ll be doing by morning if the doctors are right. He’ll be dancing - despite several years of
immobility, reading – no longer troubled by double vision. He’ll be whole. Complete.
New. Alive.
How can I
begrudge him that? My constant prayer shifts. I don’t ask for just physical healing, but
that his broken body be lifted and renewed.
And that I accept the pain of his
absence.
When morning comes, he hasn’t
changed, he’s still in that bed, and I’m still clinging to a thread of
hope.
Years later, I hear the same voice
ringing out in the arena, the same notes float across the stage that drifted
into his hospital room, the same peace that stilled my frenzied spirit. With a wish that I could visit him and cling
to his hand, I take a deep breath, close my eyes, and sing.
Hauntingly beautiful, Cait! Your timing here is so well done, the balance between the now and the then, between acceptance and denial.
ReplyDelete